"Public Spheres and Network Interfaces." The Cybercities reader, 2004. "Lozano-Hemmer crea para el MOCA su primera obra totalmente en red." El Paìs, 8 July 2004. "El Arte Del Futuro." El País -Edición Internacional, 21 Oct. "Vincula Lozano-Hemmer neuronas con caguamas - El artista presenta cinco instalaciones en la Galería OMR." Reforma, 10 Nov. "Rafael Lozano-Hemmer." International 2002 ‒ Liverpool Biennial, 2002. "Nosotros hacemos los edificios y los edificios nos hacen a nosotros." The Huffington Post. Arts + Opinions, Dossier Citoyen «volontaire» no. "Mémoire étrangère et espaces publics - un dialogue sinueux avec Rafael Lozano-Hemmer." Esse. Adriaansens, Alex and Brouwer, Joke (trad."Alien Relationships from Public Space." TransUrbanism, 2002. "Eight Canadian visual and media artists win Governor-General Awards." The Globe and Mail. "Espionaje a Rafael Lozano-Hemmer." Sputnik, No.20, 2000."Critical Conditions." Wood Street Galleries, 2003."Disembodied Presence: Rafael Lozano-Hemmer interview." Neural Issue 26, 2006."Artworld: Art takes the olympic podium." Art in America, Feb."Vectorial Elevation." The Globe and mail, British Columbia edition, 6 Feb."Pseudomatismos, de Rafael Lozano-Hemmer muestra la luz en el arte." Zona Franca."Rafael Lozano-Hemmer | MUAC." W Insider."The serious relationship of art and technology." Widewalls, 2016.Another precedent was the teleoperation of the Lindbergh searchlight in Los Angeles in 1928, activated when President Coolidge pressed a telegraph key at his desk at the White House. Vectorial Elevation alludes to Sol LeWitt's "art of instructions" as well as László Moholy-Nagy's paintings by telephone in 1922. In Mexico, the project attracted 800,000 participants from 89 countries over the course of its two-week duration. These web pages were completely uncensored, allowing participants to leave a wide variety of messages, including love poems, football scores, Zapatista slogans and twenty-seven marriage proposals. A personalized webpage was produced for every participant with images of their design and information such as their name, dedication, place of access and comments. These searchlights, whose powerful beams could be seen within a 15 kilometres radius, were controlled by an online 3D simulation program and visualized by digital cameras. The website enabled any Internet user to design light sculptures over the city's historic centre, with eighteen searchlights positioned around the square. "Vectorial Elevation" (Relational Architecture 4) is an interactive art project originally designed to celebrate the arrival of the year 2000 in Mexico City's Zócalo Square.
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